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Directed by: Sngmoo Lee Premise: An Asian warrior (Dong-gun Jang) refuses
to kill an infant who is the last survivor of a rival clan. The warrior flees to
a small town in the American west while being pursued by assassins from his own
clan. What Works: The
Warrior’s Way is a gorgeous looking film. Unlike some similarly styled
films, the attention to beauty is ongoing throughout the picture and the
quieter, dramatic scenes are staged with as much craft as the action set pieces.
The Warrior’s Way effectively mixes
the Western and Samurai genres and the combination of the two reveals their many
similarities. What Doesn’t: As good as The
Warrior’s Way looks, the film is very superficial and lacks any emotional
appeal. The problem is rooted in the casting of the lead character. Martial arts
expert Dong-gun Jang is cast in the lead role but his talent with a samurai
sword is not matched by his acting abilities. Unfortunately for Jang, The
Warrior’s Way is not wall-to-wall action and the slower and more dramatic
second act of the story is so underwritten that it requires a capable actor to
fill in the emotional beats. The production would have been much better off
casting a more skilled actor and then training him to do the action than the
other way around. The other characters in The
Warrior’s Way suffer from a similar lack of depth, such as a tomboy played
by Kate Bosworth and the city drunk played by Geoffrey Rush, and a lot of the
dialogue is hokey and forced. Without any engaging characters, the film slips
into cliché scenes of swordsmanship training and fortune cookie wisdom. Bottom Line: The Warrior’s Way aspires to be a dramatic film with samurai and western elements but because the film does not take care with its characters the result is an action film without much action and a dramatic story with no dramatic payoff. |
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