|
Directed by: Florian Henckel von Donnersmarck Premise: An American (Johnny Depp) traveling across Europe finds himself the target of law enforcement and organized crime when he takes up with a mysterious woman (Angelina Jolie). What Works: In the first half hour of the film,
Johnny Depp uses his considerable comedic talents to lighten the mood and allow
the audience a point of entry into the story. What Doesn’t: The
Tourist has two main flaws. The first is its point of view. In a mistaken
identity story, the perspective should be placed around the character that has
been misidentified. The Tourist does
not do that, framing the story around Angelina Jolie’s mystery woman. As a
result she becomes far less mysterious and even less interesting. As it is,
Jolie’s femme fatale shtick has been overplayed in a variety of roles in other
movies and in The Tourist she is
especially bland. The story does not give her character’s intentions any
ambiguity and with her agenda exposed the mystery of the film is dead in the
water. This becomes a problem throughout the middle of the film, which has
little or no rising action. The other major flaw of The
Tourist is its ending. The climax of the film tries to pull an unexpected
reversal and the result, which is often the case in twist endings, is a messy
and stupid snare in the narrative. It makes no sense and has a ripple effect,
causing the plot points and the actions of the characters leading up to the
ending to look equally ridiculous. Bottom Line: The Tourist is a badly conceived and poorly executed film. Although Depp does what he can to lighten the mood, this is mystery story without any intrigue. |
|
|