Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Premise: An adaptation of the stage
musical. After years in exile, a barber (Johnny Depp) returns to London
to find his wife and child. After being told that his wife is dead and
the judge who wrongly imprisoned him is holding his child, Sweeney Todd
goes through a psychotic episode and joins with a baker specializing in
meat pies (Helena Bonham Carter). Todd begins murdering his customers
and his partner cooks them into pies that become very popular.
What Works: Sweeney Todd has some
great performances by Johnny Depp as the mad barber, Helena Bonham
Carter as his unscrupulous co-tenant, and Ed Sanders as a shop boy. Of
the three, Bonham Carter is the one who really shines, as the role gives
her the most range and she takes advantage of the various opportunities
to act mad and conniving but also sensitive and motherly. Depp adds
another notch to his belt, proving he can carry a tune, and he is able
to balance the portrayal of Sweeny Todd, making it clear he is a
deranged psychopath but also allowing the character the kind of sympathy
afforded to characters like the monster in Frankenstein or Francis Dolarhyde in Red
Dragon. It’s a great performance that carefully manages the
madness and the camp to produce a fun but disturbing look at a man
unraveling through his quest for revenge. As expected from a Tim Burton
film, the art direction and makeup are highly stylized and are a joy to
look at, and they successfully translate the stage musical to the
cinematic form. This is very true in the scenes of gore, which take on a
Three Stooges quality seen in Evil
Dead 2. The gore and the overall tone of the film contribute to
the gallows humor of the picture, much of it delivered by Bonham Carter
with deadpan perfection.
What Doesn’t: As a musical, Sweeny
Todd never quite finds its voice. The singing by the actors is good
but the looping is not, and when viewing the film in a theater it is
quite obvious that it has been dubbed in during post-production. The
execution of these scenes in not quite what we have come to expect from
the excellence of other contemporary musicals like Dreamgirls or Moulin Rouge! The quality of the cinematography varies, with some scenes featuring
great compositions that fuse stage and cinema and others that are very
plain and have little artistic inspiration.
Bottom Line: Sweeney Todd has some great characters but it can never quite get off the ground because of its bland presentation. The film has good performances and solid art direction but its musical numbers don’t work as well as they should.