Directed by: Stanley Kubrick
Premise: In a future where mankind has
begun exploration of the solar system, astronauts discover an artifact
on the moon and send a space crew on a mission to investigate its
origins.
What Works: 2001: A Space Odyssey has influenced nearly every major science fiction and fantasy film since
its release from Star
Wars and Alien to Star
Trek: The Motion Picture and The
Matrix, and for that reason alone it is worth viewing by film
and science fiction aficionados. Concepts like hibernation, artificial
intelligence, and realistic space travel were presented in this film in
ways that have been alluded to, imitated, and downright ripped off ever
since. Despite featuring Kubrick’s unique auteur style, the film
features a lot of sequences that have been seen in later pictures; this
is especially true of extended scenes of the crew in hibernation that
were duplicated in both camera style and music score in Alien and Aliens.
HAL 9000 (voiced by Douglas Rain), the artificial intelligence computer
controlling the ship, is both a terrifying and a sympathetic character,
and its relationship to the crew has been highly imitated in everything
from Data in Star
Trek: The Next Generation to the Dr. Christian Szell in Marathon
Man. Aside from being influential, 2001 is a great piece
of movie making. The special effects of ships and other spacecraft have
a wonder and beauty to them that has not been equaled in a science
fiction film since. The use of sound and music is interesting, including
large spaces with nothing but the breathing apparatus of the astronauts.
Classical music by artists such as Richard Strauss is used throughout
the picture and it lends splendor to the scenes of interstellar travel
and a portentous atmosphere to scenes of danger. 2001 represents
an honest attempt to make an intelligent, pure science fiction film and
the picture is able to reach into the possibilities of the genre. While
many science fiction films deal with fantasies of intergalactic politics
and warfare, the issue truly central to the genre is the relationship
between humans, their civilization, and technology, and this is where 2001 shines. Spanning from the dawn of humanity to a future where humans take
the next turn in their evolution, 2001 establishes themes of
dehumanization and mechanization and a uses deep and sometimes abstract
symbolism to take humanity to a new level where it is reaches a new
beginning.
What Doesn’t: 2001 has a
reputation as a challenging film and it's well deserved. The picture
includes very little dialogue and there are many spaces with little or
no sound. The purpose is to create a vacuous audio environment that
simulates the empty space that the film takes place in, and it’s
unsettling. The story does not conform to a typical three-act narrative
and that may frustrate viewers. Its parts add up but only with some
thinking on the part of the audience.
DVD extras: The two-disc special edition
includes a commentary track, trailer, documentary and featurettes,
audio-only interview with Stanley Kubrick.
Bottom Line: 2001:
A Space Odyssey demands a lot from its viewers and those who are
willing to engage the film will be rewarded. It may take a second or
third viewing to understand the film and even those who have viewed it
multiple times debate the picture’s ultimate meaning. But what 2001 proves is that film can be a medium for serious intellectual and
entertaining expression.