Directed by: Lee Tamahori
Premise: A magician (Nicholas Cage) with the
ability to see two minutes into the future is pursued by federal authorities
intending to use him to find terrorists with a nuclear bomb. At the same time,
the terrorists attempt to kill Cage's character.
What Works: The film has a few good moments,
especially in an opening sequence inside of a casino. Unfortunately the film
goes south from there.
What Doesn’t: Next is a film drowning in
its own stupidity. The film sets up what could be an interesting premise, that a
man has psychic abilities but limited to two minutes ahead of time.
Unfortunately, the film quickly destroys this by playing fast and loose with its
own rules, first by having Cage’s character see things he does not do but is
only considering doing, and then gets progressively worse as the character’s
abilities take on superhero status. The terrorist plot, which ought to be the
main source of conflict in the film, has no coherent sense of purpose. The film
leaves a lot of unanswered questions and plot holes, namely how the terrorists
are aware of Cage’s character and the FBI’s attempts to use him, why they
believe in his abilities, and then how they are able to find him. The villains
are not real characters, just ambiguous Eurotrash who magically appear in
various scenes for no particular reason, and apparently want to destroy America
for the same nonexistent motivation. The film features a love story between
Cage’s magician and a teacher (Jessica Biel) but this subplot actually
detracts from the film. The two fall in love for no particular reason except
that they show up in the same place at the same time and the film switches gears
from the pursuit of nuclear weapons to a love story, ignoring the primary
storyline and never really picking it up again.
Bottom Line: Next is a very stupid picture.
It is similar to last year’s Déjà
vu, but without the slickness of Déjà vu director Tony Scott,
its premise collapses as a cheep gimmick. Between this film, Ghost
Rider, National
Treasure, and last
year's remake of The Wicker Man, Nicolas Cage appears on a fast track
to becoming the next John Agar.