Directed by: Florian Henckel von Donnersmarck
Premise: Before the fall of the Berlin Wall, East
German investigator Wiesler (Ulrich Mühe) carries out surveillance on Georg
(Sebastian Koch), a playwright suspected of writing subversive material, and
Georg’s girlfriend and actress Christa-Maria (Martina Gedeck).
What Works: The Lives of Others is a
terrific film about trust and loyalty and how people make compromises to protect
themselves. The story is filled with competing allegiances, as Christa Maria
cheats on Georg with a party official to protect herself while putting her
relationship at stake. Georg tries to write party-friendly stage plays but is
plagued by the sacrifice of his artistic vision and is driven to write what he
really feels and thinks. At the same time, Wiesler gets so involved in his
investigation that he risks his cover and career to protect the couple from the
government and from each other’s actions. These overlapping relationships are
executed brilliantly as the characters knowingly and unknowingly put each other
at stake in one moment and save each other in the next. The acting is terrific,
especially Mühe as the quiet but conflicted investigator. He does a lot of
subtle work in the role that makes him powerful but vulnerable. His isolation is
used in the story to create a credible love triangle between Wiesler and the
couple, which is fully realized with a minimum of actual interaction the three
characters. The film is paced and staged very well and includes interesting
subplots that support the themes of trust and loyalty while deepening the sense
of danger and omnipotence of the state.
What Doesn’t: The film does run a little long,
especially in the very end, but the postscript to the story works out very well.
DVD extras: Deleted scenes, featurette, commentary
track.
Bottom Line: The Lives
of Others is a great story. It’s characters are subtly brought to life
through a good script and some terrific acting and the film is the kind of
thriller that makes audiences wonder what will happen next. Although it takes
place in Communist East Germany, the film’s themes of loyalty, power, and
responsibility are extremely relevant, especially in our current political
environment.