Directed by: Clint Eastwood
Premise: The story of the Japanese soldiers making
their last stand on the island of Iwo Jima during World War II. The film is a
companion piece to Flags
of Our Fathers.
What Works: Letters
from Iwo Jima is extremely impressive war film. Although the film is
considered a companion to Flags of Our
Fathers, this is far superior picture. Where the former film suffered from a
narrative that erratically jerked the audience from place to place, Letters
from Iwo Jima benefits from a straightforward focus. The film has the
distinction of portraying the Japanese with basic human respect and with
reverence for the culture rather than indulging the screaming savage or the
benevolent samurai master stereotypes that plague characterizations of the
Japanese in other films. In particular Ken Watanabe as General Tadamichi
Kuribayashi, the leader of the Japanese forces on the island, and Kazunari
Ninomiya as Saigo, a baker who has been drafted into the military, give very
strong performances that give light to the Japanese perspective on the battle.
Using fleshed out characters with their own pasts, hopes, and fears, the
Japanese soldiers of Letters from Iwo Jima go through the trauma of facing death and the
film addresses this not by delving into moral equivocation between democracy and
imperialism but by studying how the characters face their impending ends. The
dignity with which the characters are presented is a far more humanizing,
interesting, and heartbreaking approach than other films in the war genre.
What Doesn’t: A few of the flashback sequences
seem a bit out of place at the time that they occur, namely the sequence in
which General Kuribayashi recalls his visit to the United States. The film
shares a similar style of cinematography with Flags
of Our Fathers, but aside from covering the same battle there is very little
connecting the two in terms of plot or characters, missing some possible
connections.
Bottom Line: Letters
from Iwo Jima is an exceptional war film. Where Flags of Our Fathers was bogged down in elements seen in other
places such as Spielberg’s Saving
Private Ryan, this film avoids overdone sentimentality but is still able
to give an intelligent and touching portrait of soldiers in warfare.