Directed by: Doug Liman
Premise: A young man with teleporting abilities
(Hayden Christensen), also known as a jumper, lives a life of luxury, supporting
himself by robbing banks, until he encounters a fraternity of people who are
attempting to exterminate all of those like him.
What Works: Jumper works best when it’s
having fun, such as the scenes of Christensen’s character using his powers to
rob banks or travel the globe.
What Doesn’t: The Achilles Heel of the film is
its lack of character development. Compared to the X-Men films, which
include characters with similar powers, Jumper does not delve into the
personal consequences of the character’s abilities. We are shown that he is
isolated and sad, but the film does not explore that beyond a superficial level.
At the same time the film disregards Samuel L. Jackson’s character and his
organization of jumper-killers, ignoring the how and the why, leaving him to
snarl mediocre dialogue. The conflict between the jumpers and the jumper hunters
is terribly underwritten and there is little or no conflict between them until
the very end. Because the film does not delve into the psyche of Christensen’s
character and fails to fully sketch the antagonists of the story, Jumper is left in an empty quandary of disconnected scenes where the jumpers spend
their time teleporting between international vacation spots from Egypt to Rome
to London. Even these scenes are not all that interesting because the film puts
no limitations on the jumper’s abilities and the omnipotence of the character
kills the drama.
Bottom Line: Jumper is an average science
fiction action film. It is more invested in putting out scenarios for the
characters to teleport to rather than advancing story and makes for a disposable
piece of Saturday afternoon entertainment.