Directed by: Oliver Hirschbiegel
Premise: A remake of Invasion
of the Body Snatchers. In this version, an alien virus transmitted
through bodily fluids takes a hold of people’s consciousness when they fall to
sleep. A psychiatrist (Nicole Kidman) tries to get herself and her son (Jackson
Bond) out of the city when the virus becomes an epidemic.
What Works: The Invasion features some
interesting editing techniques, using jump cuts to convey the stress of the
characters and cross cutting between moments of action and moments of
exposition, similar to the power plant sequence in The
Matrix: Reloaded, which allows the film to tell its story more
economically.
What Doesn’t: While the cross cutting makes the
film leaner, it also underscores the main problem with The Invasion. The
picture has no sense of pacing. It slows down in the scenes that ought to be
brief and runs through the moments that ought to be staged carefully. The film
is so anxious to get where its going, be it car chases or on-foot pursuits
through the city streets, that it reduces the dramatic build up or drops it
altogether. The Invasion spends a great deal of its first act with the
characters sitting around talking rather than doing anything together or
separately that would develop character. As the virus spreads, the cast figures
things out way too fast and make huge leaps in reasoning. At the same time, the
characters explain the ins-and-outs of the alien virus using advanced scientific
jargon that does not mean anything to audience and has little relevance to the
story. The characters and their relationships are stock and incomplete. There is
a hint of an interesting romantic relationship between Kidman’s character and
a doctor played by Daniel Craig, but it does not go anywhere. This is indicative
of a larger problem of the film. The picture does not spend any time
establishing what is so great about the status quo before putting it at risk of
being lost. Instead, The Invasion goes the other way, characterizing
human existence as violent and insufferable. As the alien virus takes over the
human race, people become docile and humane to each other. To put it another
way, the virus makes humanity better. This is a huge problem that the film never
addresses.
Bottom Line: The Invasion is a pretty terrible picture. It’s not very scary, the exposition is confusing, and the characters are flat and uninteresting. Audiences would be better off viewing the original Invasion of the Body Snatchers or the remake from 1978.