Directed by: Sam Mendes
Premise: A couple (John Krasinski and Maya Rudolph)
expecting a child go on a trip around the country looking for a place to settle
down and along the way they meet up with family, friends, and former coworkers
who have children of their own.
What Works: Away We Go is about the search
for a home and the anxieties of first time parents. The main strength of the
film is found in its two lead performers. John Krasinski and Maya Rudolph create
a credible couple that is a great deal of fun to watch. Krasinski’s character
is a dreamer and an idealist while Rudolph has the straight role as the
practical and logical thinker. Krasinski delivers a lot of the laughs in his
quirky performance and Rudolph is a great counterpoint in her deadpan responses.
The screenplay gets a lot out of their odd couple relationship and the film
seesaws very elegantly between high comedy and scenes of pensive revelation
underlined by a sincere sweetness that never gets too schmaltzy. As the couple
meets all sorts of different parents and parenting styles they are gradually
faced with the realization that what they are searching for is not so much a
perfect location as it is a perfect family, but of course the kind of perfection
they are seeking is nowhere to be found and the films leaves the couple and the
audience on a hopeful note of revelation and self discovery.
What Doesn’t: The only negative attribute about Away
We Go, inherent to its road trip structure, is a tendency to be very
episodic. The film shifts its characters around the country in their search for
a place of their own and although it moves very organically, the film does
suffer just a bit from the lack of a more definitive overarching goal.
DVD extras: Featurette, commentary track.
Bottom Line: Away We
Go is among the best films Sam Mendes has directed. It is funny and sweet
but the film is also substantive in its characters and themes and has a climax
that exposes the cultural pursuit of perfection as a mirage.