Directed by: Julie Taymor
Premise: A musical in which Jude (Jim Sturgess), a
Irish steelworker, travels to New York in the late 1960s and falls in with a
group of starving artists and meets Lucy (Evan Rachel Wood), an idealistic
college student. As the world around them becomes more tumultuous, the two
struggle to maintain their relationship.
What Works: The film attempts to be a mix of Moulin
Rouge! and Forrest
Gump, taking the audience through the counter cultural scene while using
formalistic filmmaking techniques and psychedelic imagery. Director Taymor has a
great talent for art direction, innovative filmmaking, and choreography, as she
demonstrated in Titus and Frida.
The music of the film is almost entirely of The Beatles, with the characters in
the film performing the tunes. When the music works, it really works, such as
“Revolution,” “I Want You,” or “All You Need Is Love” and Taymor’s
visuals complement the music.
What Doesn’t: The trouble with the musical
numbers is that most of the time they are forced and do not reveal much about
the characters or the story, such as “Let It Be” or “The Benefit of Mr.
Kite.” Instead of using the musical numbers to dig deeper or move the
story forward, they become tangents in which the film takes the audience on a
tour of the counter culture. But even then, despite its formalistic content, the
film does not show anything about the period that hasn’t been seen before.
There are riots and demonstrations as seen in Forrest Gump, a Vietnam
sequence right out of Platoon,
and psychedelic scenes of artistic exploration from The
Doors. This all adds up to a lot of flash but very little substance.
This carries over to more naturalistic portions of the film as well. Actors Evan
Rachel Wood and Jim Sturgess have plenty of romantic chemistry, but as
characters there isn’t much going for either of them. They just go through the
motions of their love story, and it follows a predictable 1960s format in which
the outside pressures the chaotic world threaten to rip them apart.
Bottom Line: Across the Universe has some
great talent behind it but the film puts too much effort into the look of the
movie and does not invest enough in its story or characters. The result is an
elaborate-looking piece of popcorn cinema masquerading as art house chic.